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Friday, August 24, 2007

Old House? New House? Weighing Your Options

Maybe it has something to do with a childhood home we fondly remember. Many of us long for old homes built with solid construction, quality craftsmanship and beautiful details. We wax poetic and wistfully recall the hand carvings, plaster walls and eyebrow dormers of homes weve known. On the other hand, how do the old homes we admire compare with newly minted modelsand what should we consider before deciding which to buy?

Location. Typically, old homes sit on generous plots of land in or near town. The neighborhoods are established and usually more central to schools and shopping. Mature trees and plantings provide shade and beautify the property and neighborhood streets. New homes are generally found in new developments outside of town and homeowners who buy into an early can expect to contend with dust and construction sights and sounds as the remaining phases are being built. Landscaping may be skimpy or nonexistent, but a buyer has the opportunity to design the dcor from scratch.

Layout. New homes tend to have a more spacious functional layout with higher ceilings, bigger windows, family kitchens, walk-in closets, and family rooms. Some even have media rooms and come pre-wired for cable and computers. On the other hand, older homes were designed for a more formal lifestyle, which is reflected in the formal dining and living areas and many cozy rooms, including small bedrooms, closets and bathrooms.

Energy efficiency. Those eight-over-eight single pane wood windows add character to an old home, but even with storm windows, theyre not nearly as energy efficient as modern dual-glazed or thermal windows. While most old homes lacked insulation in outside walls and attics, homes built today insulate against high heating and cooling costs. Although the bigger windows, higher ceilings and larger rooms, common in new homes, can also cause high utility bills.

Maintenance. With older homes, upkeep could be more expensive because of older appliances, plumbing and electrical systemsnot to mention the roofmay need to be replaced. A turn of the century home may have outdated knob-and-tube wiring, and even a recently built home may have an inadequate fuse box-style panel that falls short of the energy demands of 21st century families. But new homes generally come with warranties that will cover the cost for most major problems.

Price. Older homes are usually less expensive per square foot. In addition the tax structure is more predictable because the neighborhood is already established with amenities that newer neighborhoods are still in the process of gaining, such as schools, police and fire services, and infrastructures (roads, sidewalks, etc.). However, with restoration costs a possibility for older homes, your dollars may very well be spent on the back-end rather than upfront.

If the charm and beauty of an old home wins your heart, hire an inspector to evaluate the home for lead paint, insect and water damage, lead and/or galvanized pipes, outdated wiring, foundation problems and energy efficiency, including windows as well as heating/cooling systems and insulation. After you get the all-clear, you have one last consideration: Does the home fit your lifestyle or would the conveniences of a newer model suit you better? Only you and your family have the answer.

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Hair Today, Gone Tomorrow - The Art of Presentation by TV Antique Show Valuers and Appraisers

Clearly, many shows are carried by the personality of the presenter though they frequently reflect a triumph of style over substance. This, arguably, excludes Dickinson, who dominates the screen, demonstrating boundless enthusiasm and an opinion on almost everything. He is somewhat redolent of the eponymous Lovejoy, that roguish, careworn but charming dealer, so successfully played by Ian McShane in the BBC series, but his piece de resistance surely has to be his hair. Whatever authority he may exude examining a Victorian tortoise shell box or a chipped Minton plate, one cannot but be drawn to his vertiginous mullet, a shock of hair so dense it could comfortably accommodate a nest of birds. I think he could probably make a passable living as an Elvis impersonator such is his showmanship but this is in marked contrast to another member of the bouffant brigade, the erstwhile host of The Antiques Roadshow, Hugh Scully, who looked as though hed taken a dose of mogadon every time he stepped in front of the camera.

Then again, The Antiques Roadshow experts generally come over as a pretty uninspiring crowd. Some of them are well qualified on their specialist subjects and, indeed, are often a fount of knowledge but Ive seen more verve from a blind man crossing a busy dual carriageway. They come from near and far, many representing leading auctioneers, but their delivery and mode of questioning are so entirely predictable, this show must possess the most threadbare autocue in television history. Can it be a complete coincidence that The Antiques Roadshow is scheduled alongside another BBC stalwart, Songs of Praise, a programme that appears to be populated by precisely the same audience, albeit the host is in a frock? Perhaps theyre all seeking salvation for ghastly misjudgements or overinflated expectations.

Anyhow, some experts are notably well informed so should, for example, James Braxton of Edgar Horn or Roy Butler of Wallis and Wallis pop up on your screen talking about Tunbridgeware and guns respectively, please pay attention. These guys know what they are talking about. The problem is that the producers seem hell bent on incorporating all manner of rubbish in their desire to be egalitarian and inclusive and fail miserably in the process. It would be far better television, frankly, if the nominated expert took one look at a given object, profusely thanked the owner for shlepping it over land and sea, and then recommended it for firewood. Why has The Antiques Roadshow not created a Christmas special of all those unmitigated disasters brought in by the deeply earnest, deeply greedy and deeply ignorant? Dont you secretly long for a sarcastic appraiser to enquire You really dragged this piece of crap in here thinking it was worth something? What do you use for brains? Stop wasting my time! Is anybody home at Broadcasting House? And is anybody listening?

Part two in the series of articles by Howard Lewis.(Read part one... The Price is Right: Appraisal, Valuation and Inspired Guesswork or the Rise of TV Antique Shows and the Collecting Bug in the invaluable blog at www.invaluable.com).

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